Showing posts with label ADS. Show all posts
Showing posts with label ADS. Show all posts

Tuesday, 26 November 2013

Fund it, Solve it, Keep it – a personal perspective on SPRUCE

Yesterday I attended the SPRUCE end of project event at the fabulous new Library of Birmingham. The SPRUCE project was lauded by Neil Grindley as one of the best digital preservation projects that JISC has funded and it is easy to see why. Over the 2 years it has run, SPRUCE has done for a great deal for the digital preservation community. Bringing together people to come up with solutions for some of our digital preservation problems being one of the most important of these. The SPRUCE project is perhaps most well-known for its mash-up events* but should also be praised for its involvement and leadership in other community based digital preservation initiatives such as the recently launched tool registry COPTR (more about this in a future blog post).
Library of Birmingham by KellyNicholls27 on Flickr

SPRUCE can’t fix all the problems of the digital preservation community but what it has done very effectively is what William Kilbride describes as “productive small scale problem solving”. 

This event was a good opportunity to learn more about some of the tools and resources that have come out of the SPRUCE project. 

I was interested to hear Toni Sant of the Malta Music Memory Project describing their tool for extracting data from audio cds that was made available last week. I have not had a chance to investigate this in any detail yet but think this could be exactly what we need in order to move us forward from our audit of audio formats at the Borthwick Institute earlier this year to a methodology for ensuring their long term preservation in line with the proposed 15 year digitisation strategy as described last month. Obviously this deals only with audio CDs so its scope is limited, but being that audio CDs are a high priority for digital preservation this is an important development.

Another interesting tool described by Eleonora Nicchiarelli at Nottingham University allowed them to put XMP metadata into the headers of TIF images produced by their digitisation team. This avoids the separation of the images from the contextual information that is so important in making sense of them.

It was also good to hear Ray Moore from the Archaeology Data Service talk about the ReACT tool (Resource Audit and Comparison), the proposal for which I wrote in my last few weeks at the ADS. A simple tool written in VBA with a friendly Excel GUI capable of automatically checking for the presence of related files in different directories. Originally created for those situations where you want to ensure a dissemination or preservation version of a file is present for each of your archival originals, it could have many use cases in alternative scenarios. As Ray articulated, “simple solutions are sometimes the best solutions”. Thanks due to Ray and Andrew Amato of LSE for seeing that project through.

Chris Fryer of Northumberland Estates described some great work he has done (along with Ed Pinsent of ULCC) on defining digital preservation requirements and assessing a number of solutions against these requirements. He has produced a set of resources that could be widely re-used by others going through a similar process.

When I attended the first SPRUCE mash-up in Glasgow early last year participants did a bit of work on defining the business case for digital preservation in the context in of their own organisations and roles. At the time this seemed barely relevant to me, working as I was at the time within an organisation for which digital preservation was its very reason for being and for which the business case had already been well defined using the Keeping Research Data Safe model. Since Glasgow I have moved to a different job within the University of York so it was useful yesterday to have a reminder of this work from Ed Fay who was able to summarise some of the key tools and techniques and highlight why a business case is so important in order to get senior buy in for digital preservation. This is something I need to go back to and review.  The recently published Digital Preservation Business Case Toolkit should be a great resource to help me with this. 

The need to have a well prepared elevator pitch to persuade senior managers that more resources should be put into digital preservation has also become more real for me. The one I wrote at the time in Glasgow was a good start but perhaps needs to be a little bit less tongue in cheek!


* as an ex-archaeologist I see SPRUCE mash-ups as being the digital preservation equivalent of Channel 4's Time Team but without the TV cameras, and with Paul Wheatley ably taking on  the role of Tony Robinson. Instead of 3 days to excavate an archaeological site we have 3 days to solve a selection of digital preservation problems and issues.



Jenny Mitcham, Digital Archivist

Tuesday, 4 December 2012

DPC’s Digital Preservation Awards 2012

I was really pleased to be able to attend the Digital Preservation Awards at the Wellcome Collection in London last night. In it's 10th year, the DPC is celebrating in style with three separate awards:

1. The DPC Decennial Award for an outstanding contribution to digital preservation
2. The DPC Award for Teaching and Communications
3. The DPC Award for Research and Innovation

Participants were encouraged by the chair of the ceremony Richard Ovenden to switch on their mobiles and tweet as the results of each category were announced. The excitement in the room was almost tangible!

I was very pleased and not at all surprised to see that the Digital Preservation Training Programme (DPTP) was the winner of the award for Teaching and Communications. DPTP was quite ground-breaking when it ran its first residential course in digital preservation back in 2005. I was there to help deliver presentations and case studies on the Open Archival Information System (OAIS) and preservation metadata and how we made digital preservation work in practice at the Archaeology Data Service. DPTP has gone from strength to strength ever since and has run courses all over the UK. A worthy winner!

Most exciting of all was the Decennial Award for an outstanding contribution to digital preservation. I couldn't be more happy to see my ex-colleagues at the Archaeology Data Service pick up this most prestigious of awards. The award was a great honour given the exceptionally high standard of the other candidates nominated in this category. An impressive accolade awarded for the ADS's excellent track record of research and innovation in digital preservation over the last ten years and it's innovative business model. I am very pleased to be able to say that I was a part of this.

Congratulations also go to the excellent PLANETS project which won the award for Research and Innovation.

A big thank-you to William and Carol at the DPC and our hosts at the Wellcome Collection for making the event a night to remember.

Jenny Mitcham, Digital Archivist

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